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Special Exhibition “The Enlightenment in Objects - Mr. Loudon's Collection of Mirabilia”

September 2, 2019

Event Details

Event Type Exhibition
Intended for General public / Enrolled students / Applying students / International students / Alumni / Companies / Elementary school students / Junior high school students / High school students / University students / Academic and Administrative Staff
Date(s) October 19, 2019 — February 24, 2020
Location Other campuses/off-campus
Venue  Intermediatheque 2F [GREY CUBE]
[Address] KITTE 2-3F, 2-7-2 Marunouchi, Chiyoda-ku, Tokyo, JAPAN
[Access] JR lines and Tokyo Metro Marunouchi line Tokyo Station (Marunouchi South Exit). Nijubashimae Station (Exit 4) on the Chiyoda Line (about 2 minutes on foot). [Opening Hours] 11:00 - 18:00(Open until 20:00 on Fridays and Saturdays) * Opening hours may change. [Closed on] Mondays (or the following Tuesday if Monday is a National Holiday) and Year-end holidays. May close irregularly.
Entrance Fee No charge
Registration Method No advance registration required
Contact +81 3 5777 8600 (Hello Dial)
As the fifth instalment of the Intermediatheque Natural History Series, we are holding the special exhibition The Enlightenment in Objects – Mr. Loudon's Collection of Mirabilia.
In parallel to his professional activities, Dutch-born banker George Loudon is a well-known patron and leader of the cultural and artistic world based in the United Kingdom, who also demonstrated his foresight in the 1970s as a collector of contemporary art. It is said that Mr. Loudon was utterly impressed, upon his visit to the Harvard Museum of Natural History, by the remarkable 19th-century glass specimens produced by Bohemian model makers Leopold and Rudolf Blaschka. Since then, his centre of interest as a collector shifted to the educational heritage of modern science, comprising pedagogic materials, specimens and drawings in natural history. His collection also includes nineteenth-century pedagogic material such as anatomical specimens by French doctor Auzoux, a stuffed specimen of a double-headed kitten, physiognomy specimens from China, wax-made educational materials from Italy, and natural history specimens from India, North and South America or the Middle East. Also included are a Xylarium made in the early Meiji era by Katō Chikusai, an artist attached to the Koishikawa Botanical Gardens of the University of Tokyo, an Illustrated Album of Fish and Insects dating back to the late Edo period, as well as a set comprising a celestial globe and a planisphere. Fifty of these precious items, including the abovementioned objects from Japan, will be traveling to Japan for the first time. Mr. Loudon does not hold a nostalgic view on 19th-century scientific heritage considered as something from the past; rather, this heritage is reactivated within the value system of the present era, in reference to today’s sense of design. Such principles of collecting, using the heritage from the past fading away from our epoch in order to discover new aesthetic values, is an innovative approach to a problem museums have to deal with today.

[Organizer] The University Museum, the University of Tokyo (UMUT)

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